Ars Contemporanea Concierto - Sonoridades Alternativas

Comenzando la temporada de Conciertos. Empiezan los festejos por los 40 años de Ars Contemporanea El sábado estaremos con los colegas de Sonoridades Alternativas: Luis Mihovilcevic Raul Fiorino Gustavo Chab y Pablo Loudet, En lo personal estaremos con Damián J. Ratto interpretando una obra del compositor mexicano Rodrigo Castellanos y realizando una performance en real time. Además la presencia con obras de mis amigos Pablo Pérez y Fernando Curiel Ensamble Le Cabernet. No te lo pierdas!

Mirada Roja (“red sight”, first piece 1992) Electronic Music, is a homonym of an expressionist painting by Arnold Schomberg (1910). This piece tries to convey the expressive power of the picture. The imaginary voice emerges from the center of the picture, evoking transformation as an emotive symbol. At the same time, the sight stands out from its dramatic environment. Here, the yearning for change is also an illusion poetically expressed. The material is given a meaning and a temporal reference, having as a starting point the aesthetic value that the author elaborates in relation to a time and work. The material acts and dilutes itself, and throughout the three sections of the piece it modulates from an electronic voice simulation towards a real chorus. This work was completed at LIPM, using a DX7 and a Sinclavier II

Serie Perspectivas Editado por el Sello Tarka Tarka Record Company is releasing a series of Compact Discs devoted to be production of electroacoustic music in Argentina. CD-701 Tarka
Ficha Técnica
Procesamiento digital y premaster   Ricardo Renaldi
Foto  Susana Presta
Arte de tapa   Paul Stringa y Fabio Massaro
Direccion  Jorge Rapp
Obras del Cd
Julio Viera  "Divertimento II El Reloj"
Fernando López Lezcano "Búsqueda"
Jorge Rapp "Break Up"
Guillermo Pozzati "El Adiós"
Gustavo Chab "Mirada Roja"
Miguel Angel Calzon "La vida perdurable"
Carlos Cerana "Huellas Digitales"

Mirada Roja (Electronic Music) 2 channels 1993

Mirada roja (“red sight”, first piece1992) Electronic Music, is a homonym of an expressionist painting by Arnold Schomberg (1910). This piece tries to convey the expressive power of the picture. The imaginary voice emerges from the center of the picture, evoking transformation as an emotive symbol. At the same time, the sight stands out from its dramatic environment. Here, the yearning for change is also an illusion poetically expressed. The material is given a meaning and a temporal reference, having as a starting point the aesthetic value that the author elaborates in relation to a time and work. The material acts and dilutes itself, and throughout the three sections of the piece it modulates from an electronic voice simulation towards a real chorus. This work was completed at LIPM, using a DX7 and a Sinclavier II

Mezcla - Mix  Diego Losa

LIPM 1993

Composition  Gustavo Chab

Report on Residency and Exchange
Program in New Music Technology

Center for Research in Computing and the Arts University of California, San Diego
Robert Willeybobw@ucsd.edu htmlhttp://willshare.com/willeyrk/creative/recordings/intercambio.html https://ccrma.stanford.edu/LIPM/Welcome.html

Summary writings 1

form content
continuity discontinuity
time
concept of space
existence nonexistence
substance space
monistic
space is not vacantness
substance containing something
emptiness
inner spirit
form
spiritual emanation
substantiation
simplicity and quietness
haiku
cha
no
yu

Summary writings

Perspectives of new music volume 31 numero 2 1993

Phenomenon and Symbolization

in order to be performed music needs.
first. sonic events are symbolised and notated for performance
There are two distinct kinds of notation systems

Quantitative Notation   Conventional Notation
Qualitative Notation     Graphic Notation

Time and Space in Music and Mind

Classical Music . Western music. three elements. melody harmony rhythm. periodic wave forms
Temporal structures, spatial elements. temporal phenomena. illusory localization.
Pitch vertically
Duration Horizontally manifiest. light and shade of timbre, density and illusory localisation can also be perceived
are elements related to the syntax (structural principles behind the writing)
Notions of time are abstracted onto a spatial axis